"In the open-air theatre at “Rosemary Farm,” the Long Island estate of Mr. Roland R. Conklin was given, early in October, a most gorgeous pageant, which proved to be, at the same time, one of the most successful of war benefits. This pageant, which consisted of episodes from the history of each of the Allied nations, and the presentation of the case of each Ally before the bar of Truth, Justice, and Liberty, was organized by actors and actresses of the American stage as their contribution to the American Red Cross. It had been long in preparation, and many noted men and women had given generously of their time and effort, --an effort which found its reward, for this single performance brought a net profit of fifty thousand dollars, and the motion picture films which will carry the pageant all over the country will afford an additional income to the Red Cross for some time to come.
The book of the pageant was written by Joseph Lindon Smith, of Boston, and Thomas Wood Stevens, director of dramatic arts at Carnegie Institute and President of the Pageantry Association of America, and the rehearsals were under the personal direction of Mr. Stevens, Daniel Frohman, and B. Iden Payne, while decorators and artists collaborated in the settings and costuming. The result was a pageant of rare beauty and dramatic worth, as well as of historic accuracy and patriotic inspiration.
Of the two parts which composed this pageant, the first was given over to historic episodes in the lives of the Allied nations and presented a glowing and sumptuous picture. The prologue, spoken by Edith Wynne Matthison, dedicated an altar to Peace and was followed by rhythmic dancing by Florence Fleming Noyes and her pupils. A scene from early Flemish days followed, and four famous cities, Bruges, Ghent, Ypres, and Louvain paid their allegiance to Flanders, personated by Ethel Barrymore in the gorgeous costume familiar in Flemish painting.
The Italian scene which followed was succeeded by the scene of the birth of English liberty, as represented by King John signing the Magna Charta, and Medieval Russia was personified by John Barrymore as a tyrant borne upon the shoulders of his serfs. Most dramatic of the events of this first part, however, was the French episode, in which Ina Claire appeared as Jeanne D’Arc riding her white charger and the whole audience sprang to its feet in silent tribute to France.
In the second half of the pageant, called “The Drawing of the Sword,” each nation among the Allies appeared to present its case before the court of Truth, Justice, and Liberty. Serbia entered first and told her story of the opening of the war, to which Truth spoke assent. Belgium followed, and to her aid came England and France, while Russia came to the support of her ally, Serbia. Next, England called upon her overseas colonies, and Japan also, brought her pledge to maintain the cause of liberty on the Pacific. Armenia came to tell her wrongs; and Italy, shaking off the bonds of the Triple Alliance, cast her lot with the defenders of liberty. The grand climax was reached with the entry of America in the person of Marjorie Rambeau."
Wednesday, May 27, 2009
Rosemary Farm & The National Red Cross Pageant
Rehearsals for the National Red Cross Pageant in 1917 at the Olmsted designed open air theatre at 'Rosemary Farm', the Roland Conklin estate in Lloyd Harbor. While the silent film is presumed to be lost, the cast included John Barrymore, Lionel Barrymore, Ethel Barrymore and Douglas Wood. Click HERE to view the program for the event. Vogue Magazine wrote about the production on November 15, 1917: